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The Power of Metaphor

Lesson Plan

The Power of Metaphor

Objectives

[IS.5 - Struggling Learners]

In this lesson, students analyze the characteristics of effective metaphors and the ways they affect the literary work in which they appear. Students will: [IS.6 - Language Function]

  • identify the use of metaphor in several literary works.

  • analyze the structure of metaphors.

  • analyze the relationship between metaphors and the works in which they appear.

  • continue collecting and analyzing examples of effective sensory details, particularly metaphors.

  • compose metaphors.

  • analyze and respond to their creations and those of their classmates. [IS.7 - Level 1]

Essential Questions

  • How does interaction with text promote thinking and response?

Vocabulary

[IS.1 - Preparation ]

[IS.2 - ELP Standards]

[IS.3 - ELL Students]

[IS.4 - Struggling Learners]

  • Author’s Purpose: The author’s intent either to inform or teach someone about something, to entertain people, or to persuade or convince their audience to do or not do something.

  • Hyperbole: An exaggeration or overstatement (e.g., I was so embarrassed I could have died.)

  • Imagery: A word or group of words in a literary work which appeal to one or more of the senses: sight, taste, touch, hearing, and smell; figurative language. The use of images serves to intensify the impact of the work.

  • Literary Devices: Tools used by the author to enliven and provide voice to the writing (e.g., dialogue, alliteration).

  • Metaphor: A figure of speech that expresses an idea through the image of another object. Metaphors suggest the essence of the first object by identifying it with certain qualities of the second object. An example is “But soft, what light through yonder window breaks? It is the east, and Juliet is the sun” in William Shakespeare’s Romeo and Juliet. Here, Juliet, the first object, is identified with qualities of the second object, the sun.

  • Personification: An object or abstract idea given human qualities or human form (e.g., Flowers danced about the lawn.).

  • Simile: A comparison of two unlike things in which a word of comparison (like or as) is used (e.g., She eats like a bird.).

Duration

165–220 minutes/3–4 class periods

Prerequisite Skills

Prerequisite Skills haven't been entered into the lesson plan.

Materials

[IS.8 - Struggling Learners]

Related Unit and Lesson Plans

Related Materials & Resources

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Formative Assessment

  • View

    [IS.15 - Struggling Learners]

    The goal of this lesson is to recognize the characteristics of an effective metaphor and the ways in which a metaphor affects the literary work in which it appears.
    • The initial activity using “Fog” will indicate whether students can identify a metaphor. Note students who need additional instruction and provide individual or small-group reteaching.
    • As students complete the additional activities, continue to observe and provide feedback on students’ identification and use of metaphor.
    • As groups are working on their own metaphors together, move from group to group to help with any problems. The presentation students make after creating their first metaphor will indicate which individuals or groups need additional assistance.

Suggested Instructional Supports

  • View
    Scaffolding, Active Engagement, Modeling, Explicit Instruction
    W:

    Review metaphor and its characteristics and help students analyze its effect on the literary work in which it appears.

    H:

    Have students work together in groups, present their ideas, and create their own examples of metaphor.

    E:

    Help students understand the characteristics of effective metaphors and their effects by having groups analyze characteristics and their impact on the work in which they appear.

    R:

    Allow students opportunities to compare their ideas with others in their group, as well as to match the group’s ideas with those of other groups and with the entire class.

    E:

    Have students match their own ideas against those of the members of their group and to rethink their conclusions.

    T:

    Provide students the opportunity to identify, analyze, and create metaphors individually, in small groups, and with the class.

    O:

    The lesson begins with a familiar, fairly simple example that builds on previous knowledge and moves on to examine more detailed examples and their effects.

     

    IS.1 - Preparation
    Preparation: List the ELLs in this class and their level(s) of English proficiency.  
    IS.2 - ELP Standards
    Include the ELP standard(s) to be addressed in this lesson.  
    IS.3 - ELL Students
    ELLs will need many opportunities to use these words orally.  
    IS.4 - Struggling Learners
    Struggling learners will need to have these words defined in student friendly terms, be provided with examples and non-examples, reviewed on a daily basis throughout the lesson, and be afforded opportunities to apply the definitions.  A graphic organizer such as the Frayer Model will support these students.  
    IS.5 - Struggling Learners
    Struggling learners will need to have these objectives both visually and verbally to fully understand the expectations of them throughout the lesson.  These terms may need to be defined or redefined with examples and non-examples.  They will need consistent modeling of these terms and their uses.  
    IS.6 - Language Function
    Include a language function objective for oral development (e.g.,  “A (XXX) is like a (XXX) because . . .”).  
    IS.7 - Level 1

    Level 1

    Level 2

    Level 3

    Level 4

    Level 5

    Entering

    Beginning

    Developing

    Expanding

    Bridging

    Answer "How is a XXX like a XXX?" questions with a partner

    Give examples of short metaphors with a partner

    Identify metaphores from text in samll groups with graphic organizer

    Analyze pros and cons of using methaphors in poetry in small group with graphic organizer

    Explain the power of metaphor in poetry using examples from familiar text.

     
    IS.8 - Struggling Learners
    Provide struggling learners with supports for the text such as a text to speech, CD , or video representations.  
    IS.9 - ELL Students
    How will ELLs connect with these passages? Use your answer to activate prior knowledge.  
    IS.10 - All Students
    Review the term metaphor and provide examples and non-examples for clarification.  
    IS.11 - ELL Students
    ELLs should read aloud in small groups for support.  
    IS.12 - Struggling Learners
    Struggling learners may need assistance in determining the metaphors in this poem.  Modeling and providing them with supports is crucial.  
    IS.13 - Struggling Learners
    Struggling learners will benefit from cooperative learning in finding these metaphors.  Differentiate by asking them to find two to three.  
    IS.14 - Struggling Learners
    Provide struggling learners the opportunities to use various representations for writing.(i.e. visual representations, verbally stating, etc.)  
    IS.15 - Struggling Learners
    Provide struggling learners with the opportunities to show their understanding by using a variety of formative assessments that do not include writing.  Questioning techniques both high and low level will provide the teacher information.  

Instructional Procedures

  • View

    Focus Question: What are the characteristics of an effective metaphor, and how does it affect the literary work in which it appears? [IS.10 - All Students]

    Say, “During this lesson, we will be examining the structure of metaphor—a figure of speech in which two very different things are compared—and the ways in which it affects the literary work in which it appears. You will also need to add at least three examples of effective metaphors to your collection, along with an explanation of how each one affects the work in which it appears.”

    Part 1

    Have students read Sandburg’s “Fog” and ask them to write the metaphor used in the poem. Walk around the room as they are writing to see whether most students can identify a metaphor. [IS.11 - ELL Students]

    Ask, “What similarities between a cat and fog are identified in the poem?” (dainty, silent, and watchful) “What do you know about the fog because it is compared to a cat? What is unexpected about the comparison?” (Dainty and watchful are characteristics you wouldn’t have associated with fog.) Point out that a good metaphor does precisely that: it makes the reader look at something in a new way. Also, a metaphor frequently suggests deeper similarities between the two items compared. For example, both the fog and a cat are associated with mystery, so a reader could feel that a mysterious mood is also being suggested here.

    Ask, “What would happen if this poem had no metaphor?” (There would be no poem. In this case, the metaphor provides the poem.) Lead students to understand that an effective metaphor is always an essential part of the literary work, not simply a decoration that can be easily removed.

    For additional information about metaphors, refer to Related Resources.

    Part 2

    Have students read “Dreams” by Langston Hughes, a simple but powerful poem, which is directly linked to Dr. King’s speech by the connection of freedom and dreams.

    Ask, “What two metaphors are used in the poem?” (“a broken-winged bird/That cannot fly” and “a barren field/Frozen with snow”) Discuss the meaning of each metaphor and help students discover the following: [IS.12 - Struggling Learners]

    • A person should be able to soar and to reach for the heights, but without dreams, the individual is no more able to fly than a “broken-winged bird” is. Both must sit and watch others achieve the heights, knowing that it can never happen for them.

    • A “barren field” is one in which nothing will grow; there is no chance of a crop. A life without dreams will bear no fruit for the person living it. That person will have no prospects for the future.

    • Together the two metaphors emphasize the bleak hopelessness and paralysis of a life lived without dreams.

    Say, “Now we’re going to look at metaphor that is a vital part of a prose selection.” Show students a video of the “I Have a Dream” speech by Martin Luther King Jr. At its close, have small groups read the speech carefully, noting the metaphors. Examples include the following:

    • the Emancipation Proclamation = “great beacon light of hope”

    • extended metaphor: Constitution and the Declaration of Independence = “a promissory note to which every American was to fall heir,” and this connection is explored through several other references

    • segregation = “dark and desolate valley”

    • “racial justice” = a “sunlit path”

    • “The sweltering summer of the Negro’s legitimate discontent”

    • “an invigorating autumn of freedom and equality”

    • “The whirlwinds of revolt”

    • “Let us not seek to satisfy our thirst for freedom by drinking from the cup of bitterness and hatred.”

    • “the palace of justice”

    • the biblical quotation “justice rolls down like waters, and righteousness like a mighty stream”

    • “the valley of despair”

    • “the heat of oppression”

    • “an oasis of freedom of justice.” [IS.13 - Struggling Learners]

    Have several groups briefly share their examples and discuss why these metaphors are vital to the speech and why they think Dr. King chose to use them.

    Part 3

    Say, “Metaphor is a powerful tool in thinking and communicating.” Have students examine the metaphors in Lincoln’s “A House Divided” speech and in Shakespeare’s “All the World’s a Stage” speech (see Materials). Remind students to examine metaphors closely to appreciate them completely. Point out that these powerful metaphors have become part of our history and culture. Discuss the following questions:

    • What are some similarities between our government/country and a house?” (Both provide shelter and protection; both are created by people––and therefore can be destroyed by them; both may be large, small, or differently designed.)

    • What similarities do you see between the world and a stage?” (Both have interactions among people, usually changing scenes— sometimes drama, sometimes comedy—according to religious and philosophical beliefs. Some might feel that both are scripted.)

    Part 4

    Display “Using Metaphors in Creative Writing” (see Materials) on a screen and guide students through a brief review of metaphors, along with the reasons for using them and creative ways for doing so. [IS.14 - Struggling Learners] Encourage students to discuss the examples and why they are or are not effective.

    Invite students to create some metaphors of their own. Have students work in small groups to make two lists: one of tangible items, the other of intangible ones. Then have the group create a metaphor together with two dissimilar items, one from each list (For example, hammer and anger could become the hammering of his angry voice or his anger hammered the group into submission; loneliness and clouds could become loneliness drifted over him, blotting out the sun and darkening the day.)

    Have all groups share their metaphors and choose one or two favorites to analyze.

    Extension:
    • Students who may be going beyond the standards can complete a brief exercise. Most students will probably be familiar with the metaphor of life as a journey. Ask students to come up with as many metaphors for shopping, sports, or school as possible. Give students a few more minutes to write briefly about each one. Encourage students to share their lists. Then have students work individually or in small groups to rank the metaphors inoriginality.
    • Use “What Is a Metaphor?” (see Related Resources) for students who need additional opportunities for learning.

Related Instructional Videos

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DRAFT 10/14/2010
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